A related project exists in disability history. The Disability Visibility Project partnered with StoryCorps
[7] to record oral histories from disabled people, some of which have gone into the American Folklife Center archive at the Library of Congress - where a personal account stops being a one-time interview and becomes part of a public record, in the person's own words, alongside policy documents and diagnostic descriptions.
Autism research has been asking a version of the same question about who sets the agenda. In 2014, Elizabeth Pellicano, Adam Dinsmore and Tony Charman compared UK autism research funding
[8] with the priorities of autistic adults, families, practitioners and researchers, and found the two didn't line up. Community members wanted more attention on services, everyday support, and how autistic people think and learn - areas funding wasn't tracking. The authors called for a stronger role for autistic people in setting research priorities, deciding what gets studied rather than only taking part in studies designed by others.
The same distinction applies to autism storytelling. Someone can take part in a project by agreeing to be interviewed or photographed. Authorship goes further: correcting how something is described, explaining what it meant, deciding what stays private, having a say in how the finished piece looks. For an institution, that changes the participant's role - from subject of the work to someone who helped make it.